When Richard Strauss attended a Berlin theatre production of Wilde’s play Salome in 1903, he imagined a Salome opera, feeling the play “cried out for music.” By choosing this provocative story for operatic treatment, Strauss courted controversy—perhaps in hopes of drawing attention. As Alex Ross notes, the composer “felt drawn to sexually charged material throughout…
In early 20th-century performance, art dance emphasized expressive movement, innovation, and aesthetic depth, as seen in modern dance and ballet. Erotic dance focused on sensual display and physical allure, often for popular entertainment. Art dance sought cultural legitimacy; erotic dance catered to titillation, though the boundaries often were blurred, especially when it came to Salome…
Salome painting over the centuries usually depicted her as the cold instrument of her mother’s murderous intent. The head of John the Baptist, detailed with bloody grotesqueness on a silver platter, is the usual focus. All that changed during the 19th century. Orientalism and Salome Painting During the middle years of the 1800s, a group…
Salomania was a performance phenomenon and cultural craze that swept through America and Europe during the early years of the 20th century. It sprang from a popular reinterpretation of the story of Salome, a figure alluded to in the New Testament who danced for a king and, as a reward, requested a head on a…
Revised April 2, 2025 A Salome story: I spent many years working with historical documents at the Library of Congress and other cultural heritage institutions. Historical documents, also known as primary sources, provide firsthand evidence about people, events, and ideas from the past. Primary sources can reveal great stories about what has—and hasn’t—changed over time….