Revised April 22, 2025. Adorée Villany: Naked Enigma Adopting the Dance of the Seven Veils Adorée Villany tested the European limits on how much skin a dancer could show on stage during the early 20th century. She also pushed the boundaries of early modern dance choreography. Most of all, she was an enigma. Adorée (or…
When Richard Strauss attended a Berlin theatre production of Wilde’s play Salome in 1903, he imagined a Salome opera, feeling the play “cried out for music.” By choosing this provocative story for operatic treatment, Strauss courted controversy—perhaps in hopes of drawing attention. As Alex Ross notes, the composer “felt drawn to sexually charged material throughout…
Salome painting over the centuries usually depicted her as the cold instrument of her mother’s murderous intent. The head of John the Baptist, detailed with bloody grotesqueness on a silver platter, is the usual focus. All that changed during the 19th century. Orientalism and Salome Painting During the middle years of the 1800s, a group…
Rereading Louise Brooks’s writing of her early years in New York City, published as Chapter One in Lulu in Hollywood, I’m struck by the unique blend of detail, candor, and lack of pretension or sentiment. She credits her success in the city to a soda jerk who tamed her accent, a waiter who refined her…
Detectives in the Shadows: A Hard-Boiled History by Susanna Lee, as published in The Interdisciplinary Journal of Popular Culture and Pedagogy, in March 2023. Susanna Lee’s Detectives in the Shadows is an incisive, entertaining jaunt through the hard-boiled genre from its pulp-fiction origins to the present. Lee, Professor and Chair of the Department of French…
Phryné Moderne Devant l’Aréopage (Modern Phryne Before the Areopagus) Shocking Dance: About the Book This book (published ca. 1913) is a curated collection of press coverage surrounding Adorée Villany’s controversial nude dance performances in Munich and Paris between 1911 and 1913. Framed by Villany’s declaration—“My unveiled form lays my soul bare”—the volume takes its title…