The Docks of New York (1928): Sternberg’s Silent Film Noir
While film noir is typically associated with the 1940s and 1950s, Josef von Sternberg laid much of its groundwork at Paramount in the late silent era. Underworld (1927), often called the first modern gangster picture, gave audiences a doomed hero moving through the demimonde’s shadowy streets. Sternberg’s first talkie, Thunderbolt (1929), followed a gangster to…








